{"id":126,"date":"2017-09-04T17:54:51","date_gmt":"2017-09-04T14:54:51","guid":{"rendered":"http:\/\/46.32.240.37\/outicondit.com\/?page_id=126"},"modified":"2018-01-17T15:27:45","modified_gmt":"2018-01-17T13:27:45","slug":"past-projects-2","status":"publish","type":"page","link":"http:\/\/www.outicondit.com\/?page_id=126","title":{"rendered":"Past projects"},"content":{"rendered":"

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#CHARP<\/a><\/h2>\n\n\t\t\t\t\t\t
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Simo Kellokumpu’s second examined artistic part, premiere: 30.6. 2017 Research Pavilion, Venice #CHARP forms with planetary and intergalactic movements. Imaginary scales and relations are produced. What happens to the movement when it is mediated to choreography? How to embody hyper-reading of the planetary movements that set conditions for the choreographic (hypertext) to emerge? #CHARP will be performed in Helsinki 2018 (dates tba) Working group: Outi Condit, Simo Kellokumpu, Paula Kramer and Vincent Roumagnac https:\/\/simokellokumpu.org\/2017\/03\/20\/charp\/<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t

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I am Faransis W.<\/a><\/h2>\n\n\t\t\t\t\t\t
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I am Faransis W. (2016) is a new play by award-winning Finnish playwright-director Jari Juutinen based loosely on B\u00fcchner’s classic Woyzeck. It was be performed at the Edinburgh Fringe at Summerhall Place: Old Lab dates  Aug 6 – Aug 27 2017 written & directed by: Jari Juutinen cast: Aleksi Holkko, Ani Aladashvili\/Outi Condit, Liisa Sofia P\u00f6ntinen light design: Teemu Nurmelin sound design: Jussi Matikainen, Jari Juutinen music: Jussi Matikainen, Tomi Pekkola guitar: Tomi Pekkola video design: Aku Meril\u00e4inen press photos: AkiRead More<\/span><\/a><\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t

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Toisissa tiloissa: Avalokiteshvara-Superclusters<\/a><\/h2>\n\n\t\t\t\t\t\t
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. . Toisissa tiloissa -ryhm\u00e4n osallistava ulkoilmateos Avalokiteshvara Superclusters muodostuu moniosaisesta kollektiivisesta my\u00f6t\u00e4tuntoharjoituksesta, jonka p\u00e4\u00e4m\u00e4\u00e4r\u00e4n\u00e4 on kokemus kaikkien olentojen samanarvoisuudesta. Esityksess\u00e4 yhdistyv\u00e4t \u201dAvalokiteshvara\u201d, buddhalainen my\u00f6t\u00e4tunnon ruumiillistuma, sek\u00e4 \u201dsuperklusterit\u201d eli maailmankaikkeuden suurimmat tunnetut rakenteet. Esitys tapahtuu kaupungin liepeill\u00e4, j\u00e4tt\u00f6mailla, paikoissa, joissa luonnollinen ja keinotekoinen todellisuus kohtaavat satunnaisilla ja hallitsemattomilla tavoilla. Esitykseen ei myyd\u00e4 p\u00e4\u00e4sylippuja. Sen sijaan osallistujat lunastavat kymmenell\u00e4 eurolla palan planeettaa suojeltavaksi. Esityksess\u00e4 l\u00e4hestyt\u00e4\u00e4n maailmatonta tilaa, jossa vallitsee pakolaisuus, hajaannus ja tungos. T\u00e4ss\u00e4 tilanteessa olioilla ei ole muuta kotia kuinRead More<\/span><\/a><\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t

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Channelling<\/a><\/h2>\n\n\t\t\t\t\t\t
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. . Kuinka puhua rivien v\u00e4list\u00e4? Kuinka ajatella ei mit\u00e4\u00e4n? Kuinka kanavoida kaikkea? “Mietin sit\u00e4 hetke\u00e4 ja tilaa ja kohtaa joka on k\u00e4\u00e4nn\u00f6ksen ja ajatuksen v\u00e4liss\u00e4. Tai hetki, jolloin alan puhua ja hetki jolloin alan ajatella k\u00e4\u00e4nn\u00f6st\u00e4, k\u00e4\u00e4nt\u00e4mist\u00e4. Mit\u00e4 se on, mit\u00e4 siin\u00e4 on. Aion nyt menn\u00e4 siihen siihen tilaan, siihen v\u00e4liin. Olen nyt ajatuksen, puheen alkamaisillaan olon ja k\u00e4\u00e4nn\u00f6ksen\u00e4 tapahtuvan puheen v\u00e4liss\u00e4. Olen nyt siell\u00e4. T\u00e4m\u00e4 on nyt se tila, ja…” -Emilia Kokko To speak between the lines ToRead More<\/span><\/a><\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t

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NETWORKED ACTOR THEORY<\/a><\/h2>\n\n\t\t\t\t\t\t
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. . . In 2019, together with my colleague Simo Kellokumpu, we curated an artistic research event with the title Networked Actor Theory. This brought together artist-researchers with shared interests to rethink the agencies and politics of performing bodies and the networks they emerge from. In 2021 those same artist-researchers come together in a digital publication in which each contribution offers an enthusiastic “yes, and” proposal to what might be considered “writing” in artistic research. . https:\/\/nivel.teak.fi\/nat\/<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t

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WHERE’S THE REMOTE<\/a><\/h2>\n\n\t\t\t\t\t\t
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THE DIVA<\/a><\/h2>\n\n\t\t\t\t\t\t
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. . . . . In 2017, I worked together with theatre director and fellow doctoral research fellow Vincent Roumagnac to make the stage piece The Actress, which became the first clearly defined artefact to be produced by my research process. Its success strengthened my conviction to keep producing objects, even, or perhaps especially, when the object is the researcherly body itself. . In Spring 2021, Vincent and I came together again to produce a piece which is simultaneously independentRead More<\/span><\/a><\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t

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SUSANIN VAIKUTUS<\/a><\/h2>\n\n\t\t\t\t\t\t
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. Based on Peter H\u00f8eg’s The Susan Effect, dramatized and directed for stage by Miko Jaakkola. Premiered in Jyv\u00e4skyl\u00e4 City Theatre 23 rd of October 2021.<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t

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PARADOXES OF PHOTOGRAPHY\/ INSIDE THE APPARATUS<\/a><\/h2>\n\n\t\t\t\t\t\t
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“A good medium is rare.” -Scooby Doo, 1972 . . Outi Condit & Rosie Swayne (Iso-Britannia\/Suomi): Osana apparaattia \/ Within the Apparatus    . Paradoxes of Photography exhibition in the Museum of Photography 13.5.-28.8. 2022 Audio piece in Finnish and in English, 4 headphones  . . An imagined image is invisible, and it can be shared only through its effects. Its manifestation is shaped by the experience of those who feel its imprint \u2013 a trace, a ghost, an influence. In our hypervisual society, photographs serve as the ectoplasm of our private, social, and politicalRead More<\/span><\/a><\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\n","protected":false},"excerpt":{"rendered":"

. .<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P8J1MZ-22","jetpack-related-posts":[{"id":125,"url":"http:\/\/www.outicondit.com\/?page_id=125","url_meta":{"origin":126,"position":0},"title":"“Writings”","date":"\/\/\/","format":false,"excerpt":". .","rel":"","context":"Similar post","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":78,"url":"http:\/\/www.outicondit.com\/","url_meta":{"origin":126,"position":1},"title":"Current","date":"\/\/\/","format":false,"excerpt":". : . . .","rel":"","context":"Similar post","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":116,"url":"http:\/\/www.outicondit.com\/?page_id=116","url_meta":{"origin":126,"position":2},"title":"Past projects","date":"\/\/\/","format":false,"excerpt":"","rel":"","context":"Similar post","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":74,"url":"http:\/\/www.outicondit.com\/?page_id=74","url_meta":{"origin":126,"position":3},"title":"#CHARP","date":"\/\/\/","format":false,"excerpt":"Simo Kellokumpu's second examined artistic part, premiere: 30.6. 2017 Research Pavilion, Venice #CHARP forms with planetary and intergalactic movements. Imaginary scales and relations are produced. What happens to the movement when it is mediated to choreography? How to embody hyper-reading of the planetary movements that set conditions for the choreographic\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.outicondit.com\/wp-content\/uploads\/2017\/05\/charp3.jpg?fit=1003%2C669&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":250,"url":"http:\/\/www.outicondit.com\/?page_id=250","url_meta":{"origin":126,"position":4},"title":"PORTFOLIO","date":"\/\/\/","format":false,"excerpt":"Selected works Examined Other Miscellanous","rel":"","context":"Similar post","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.outicondit.com\/wp-content\/uploads\/2019\/09\/Screen-Shot-2019-09-30-at-11.17.44.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":38,"url":"http:\/\/www.outicondit.com\/?page_id=38","url_meta":{"origin":126,"position":5},"title":"About me","date":"\/\/\/","format":false,"excerpt":". . . I\u2019m an actor, performance maker and researcher currently looking at the practices, discourses and spatio-technical arrangements of theatre as apparatuses that produce and mould bodies and selves in specific ways.\u00a0In my works I'm interested in destabilising bodily boundaries as a way of queering and multiplying bodies in\/through\/as\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"http:\/\/www.outicondit.com\/index.php?rest_route=\/wp\/v2\/pages\/126"}],"collection":[{"href":"http:\/\/www.outicondit.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.outicondit.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.outicondit.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.outicondit.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=126"}],"version-history":[{"count":5,"href":"http:\/\/www.outicondit.com\/index.php?rest_route=\/wp\/v2\/pages\/126\/revisions"}],"predecessor-version":[{"id":563,"href":"http:\/\/www.outicondit.com\/index.php?rest_route=\/wp\/v2\/pages\/126\/revisions\/563"}],"wp:attachment":[{"href":"http:\/\/www.outicondit.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}