{"id":92,"date":"2017-05-12T15:42:48","date_gmt":"2017-05-12T12:42:48","guid":{"rendered":"http:\/\/46.32.240.37\/outicondit.com\/?post_type=jetpack-portfolio&p=92"},"modified":"2022-04-29T11:23:13","modified_gmt":"2022-04-29T08:23:13","slug":"the-actress","status":"publish","type":"jetpack-portfolio","link":"http:\/\/www.outicondit.com\/?portfolio=the-actress","title":{"rendered":"The Actress"},"content":{"rendered":"
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\"\"<\/em><\/strong><\/p>\n

The Actress <\/em><\/strong>is a theatre piece on theatre, power and acting.<\/p>\n

She arises from the crisis of the actorly body as an intersection of affective\/material\/corporeal\/discursive tensions at stake in the dispositif of theatre.<\/p>\n

She presents eight variations on thespian affect, corporeality, gaze, representation, identification, empowerment, and techno(dys)embodiment.<\/p>\n

She stages her own impasse.<\/p>\n

She escapes.<\/p>\n

She uses strategies of re-do, verbatim theatre, and hypomnesic technology to produce mutations and extensions of her body as stage.<\/span><\/p>\n

She queers.<\/p>\n

She reimagines the actor (I) and the absent-present director (Roumagnac) in another possible iteration of labour, agency, artistry, gaze, desire, authorship, ownership and co-constitution of the actor-director relationship in the theatrical apparatus.<\/p>\n

The Actress<\/em><\/strong> is a collaboration with French\/Basque theatre director and researcher Vincent Roumagnac. It was  examined as an artistic part of Outi Condit\u2019s doctoral research on the (dys)embodied politics\/poetics of the stage in October 2017 in the Theatre Academy, University of Arts Helsinki.<\/p>\n

The Actress<\/em> was (and will be!) on tour.<\/strong><\/p>\n

Past:<\/p>\n

Nov 29 2019 The Very First Sensorium of Artistic Research<\/a> Cyborg Conjoinments<\/em>: The Actress and Her Shadow <\/em>Nov 2019 “Q\u0336\u0348\u032c\u033f\u035dl\u0334\u031b\u032c\u031d\u0312o\u0335\u0330\u030d\u0314\u01d8\u0334\u033c\u1e13\u0337\u031f\u0313\u0305s\u0337\u033b\u0326\u0306Q\u0338\u0320\u033f\u0352u\u0337\u0353\u035a\u034a\u033dA\u0338\u031b\u0318\u035dr\u0337\u0316\u0348\u0300\u035d\u1e6d\u0336\u030f\u0358z\u0336\u0329\u0329\u035b,\u0336<\/b><\/a><\/p>\n

July 3-7 2019, PSi Calgary 2019 Elasticity<\/a><\/p>\n

March 16 2019, LMTA Teatro dienos<\/a>, Lietuvos Muzikos ir Teatro Akademija<\/p>\n

October 25-28 2018, Alliances and Commonalities<\/a> Conference, Stockholm University of the Arts<\/p>\n

9-12 June 2018, AVBODY: SYMPOSIUM ON THE AUDIOVISUAL BODY<\/a>, University of Huddersfield<\/p>\n

11-13 April 2018, SAR conference<\/a> Artistic Research Will Eat Itself, University of Plymouth<\/p>\n

22 February 2018, Teatterimonttu, University of Tampere<\/p>\n

TECHNICAL REQUIREMENTS<\/a><\/p>\n

The Actress\/\/Channelling<\/em><\/strong> have been supported by Emil Aaltonen foundation, University of Arts Helsinki, and the Theatre Academy\u2019s Performing Arts Research Centre.<\/p>\n

Images header (c) Vincent Roumagnac<\/p>\n

Other images (c) Paula Tella<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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