{"id":508,"date":"2022-04-29T11:20:03","date_gmt":"2022-04-29T08:20:03","guid":{"rendered":"http:\/\/www.outicondit.com\/?post_type=jetpack-portfolio&p=508"},"modified":"2026-03-28T16:18:28","modified_gmt":"2026-03-28T14:18:28","slug":"paradox-of-photography-inside-the-apparatus","status":"publish","type":"jetpack-portfolio","link":"http:\/\/www.outicondit.com\/?portfolio=paradox-of-photography-inside-the-apparatus","title":{"rendered":"PARADOXES OF PHOTOGRAPHY\/ INSIDE THE APPARATUS"},"content":{"rendered":"\n

“A good medium is rare.” -Scooby Doo, 1972<\/p>\n\n\n\n

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Outi Condit & Rosie Swayne (Iso-Britannia\/Suomi): Osana apparaattia<\/em> \/ Within the Apparatus<\/em>   <\/p>\n\n\n\n

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Paradoxes of Photography<\/strong> exhibition in the Museum of Photography 13.5.-28.8. 2022<\/p>\n\n\n\n

Audio piece in Finnish and in English, 4 headphones <\/p>\n\n\n\n

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An imagined image is invisible, and it can be shared only through its effects. Its manifestation is shaped by the experience of those who feel its imprint \u2013 a trace, a ghost, an influence. In our hypervisual society, photographs serve as the ectoplasm of our private, social, and political imagination. Their stage is our visible, perceiving, and imagining body. Outi Condit and Rosie Swayne invite the exhibition visitor to listen, process and thus embody heard images. The audio installation explores three themes; the archives at the museum, the exposure and perpetuation of racism and racial bias through photography (co-created with Marjorie H. Morgan), and a dalliance into the realm where paranormality lives through photographic technologies. The pieces play with analogue, digital and algorithmic processes, histories and politics, gently inviting audience members to become the matter through which images can be observed to flow. How to be a medium?<\/p>\n\n\n\n

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https:\/\/www.valokuvataiteenmuseo.fi\/en\/exhibitions\/paradoxes-photography<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

“A good medium is rare.” -Scooby Doo, 1972 . . Outi Condit & Rosie Swayne (Iso-Britannia\/Suomi): Osana apparaattia \/ Within the Apparatus    . Paradoxes of Photography exhibition in the Museum of Photography 13.5.-28.8. 2022 Audio piece in Finnish and in English, 4 headphones  . . An imagined image is invisible, and it can be shared only through its effects. Its manifestation is shaped by the experience of those who feel its imprint \u2013 a trace, a ghost, an influence. In our hypervisual society, photographs serve as the ectoplasm of our private, social, and politicalRead More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"jetpack-portfolio-type":[10],"jetpack-portfolio-tag":[],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":148,"url":"http:\/\/www.outicondit.com\/?portfolio=remote-control-human","url_meta":{"origin":508,"position":0},"title":"REMOTE CONTROL HUMAN","date":"\/\/\/","format":false,"excerpt":"Image (c) Vincent Roumagnac A series of performances on the porous borders of self\/other, techno\/flesh, and fabulous reality. Human bodies are screens and stages for the performative relationship between technology and experience. Immersed in thespian fantasies of innocence and total control,\u00a0RCH\u00a0incites and investigates the uncanny experience of being more-than-one, less-than-many\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.outicondit.com\/wp-content\/uploads\/2017\/09\/IMG_2651.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":92,"url":"http:\/\/www.outicondit.com\/?portfolio=the-actress","url_meta":{"origin":508,"position":1},"title":"The Actress","date":"\/\/\/","format":false,"excerpt":"The Actress\u00a0is a theatre piece on theatre, power and acting. She arises from the crisis of the actorly body as an intersection of affective\/material\/corporeal\/discursive tensions at stake in the dispositif of theatre. She presents eight variations on thespian affect, corporeality, gaze, representation, identification, empowerment, and techno(dys)embodiment. She stages her own\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.outicondit.com\/wp-content\/uploads\/2017\/05\/BTGM0319.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"http:\/\/www.outicondit.com\/index.php?rest_route=\/wp\/v2\/jetpack-portfolio\/508"}],"collection":[{"href":"http:\/\/www.outicondit.com\/index.php?rest_route=\/wp\/v2\/jetpack-portfolio"}],"about":[{"href":"http:\/\/www.outicondit.com\/index.php?rest_route=\/wp\/v2\/types\/jetpack-portfolio"}],"author":[{"embeddable":true,"href":"http:\/\/www.outicondit.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.outicondit.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=508"}],"version-history":[{"count":4,"href":"http:\/\/www.outicondit.com\/index.php?rest_route=\/wp\/v2\/jetpack-portfolio\/508\/revisions"}],"predecessor-version":[{"id":561,"href":"http:\/\/www.outicondit.com\/index.php?rest_route=\/wp\/v2\/jetpack-portfolio\/508\/revisions\/561"}],"wp:attachment":[{"href":"http:\/\/www.outicondit.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=508"}],"wp:term":[{"taxonomy":"jetpack-portfolio-type","embeddable":true,"href":"http:\/\/www.outicondit.com\/index.php?rest_route=%2Fwp%2Fv2%2Fjetpack-portfolio-type&post=508"},{"taxonomy":"jetpack-portfolio-tag","embeddable":true,"href":"http:\/\/www.outicondit.com\/index.php?rest_route=%2Fwp%2Fv2%2Fjetpack-portfolio-tag&post=508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}