{"id":495,"date":"2021-04-28T15:12:22","date_gmt":"2021-04-28T12:12:22","guid":{"rendered":"http:\/\/www.outicondit.com\/?post_type=jetpack-portfolio&#038;p=495"},"modified":"2026-03-28T16:16:01","modified_gmt":"2026-03-28T14:16:01","slug":"wheres-the-remote","status":"publish","type":"jetpack-portfolio","link":"http:\/\/www.outicondit.com\/?portfolio=wheres-the-remote","title":{"rendered":"WHERE&#8217;S THE REMOTE"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"embed-vimeo\" style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/467687118\" width=\"1500\" height=\"844\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"jetpack-portfolio-type":[10,11],"jetpack-portfolio-tag":[],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":148,"url":"http:\/\/www.outicondit.com\/?portfolio=remote-control-human","url_meta":{"origin":495,"position":0},"title":"REMOTE CONTROL HUMAN","date":"\/\/\/","format":false,"excerpt":"Image (c) Vincent Roumagnac A series of performances on the porous borders of self\/other, techno\/flesh, and fabulous reality. Human bodies are screens and stages for the performative relationship between technology and experience. Immersed in thespian fantasies of innocence and total control,\u00a0RCH\u00a0incites and investigates the uncanny experience of being more-than-one, less-than-many\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.outicondit.com\/wp-content\/uploads\/2017\/09\/IMG_2651.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":109,"url":"http:\/\/www.outicondit.com\/?portfolio=channelling-1","url_meta":{"origin":495,"position":1},"title":"Channelling #1","date":"\/\/\/","format":false,"excerpt":"","rel":"","context":"Similar post","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":92,"url":"http:\/\/www.outicondit.com\/?portfolio=the-actress","url_meta":{"origin":495,"position":2},"title":"The Actress","date":"\/\/\/","format":false,"excerpt":"The Actress\u00a0is a theatre piece on theatre, power and acting. She arises from the crisis of the actorly body as an intersection of affective\/material\/corporeal\/discursive tensions at stake in the dispositif of theatre. She presents eight variations on thespian affect, corporeality, gaze, representation, identification, empowerment, and techno(dys)embodiment. She stages her own\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.outicondit.com\/wp-content\/uploads\/2017\/05\/BTGM0319.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":90,"url":"http:\/\/www.outicondit.com\/?portfolio=charp","url_meta":{"origin":495,"position":3},"title":"#CHARP","date":"\/\/\/","format":false,"excerpt":"Simo Kellokumpu's second examined artistic part, premiere: 30.6. 2017 Research Pavilion, Venice #CHARP forms with planetary and intergalactic movements. Imaginary scales and relations are produced. What happens to the movement when it is mediated to choreography? How to embody hyper-reading of the planetary movements that set conditions for the choreographic\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":482,"url":"http:\/\/www.outicondit.com\/?portfolio=networked-actor-theory","url_meta":{"origin":495,"position":4},"title":"NETWORKED ACTOR THEORY","date":"\/\/\/","format":false,"excerpt":". . . In 2019, together with my colleague Simo Kellokumpu, we curated an artistic research event with the title Networked Actor Theory. This brought together artist-researchers with shared interests to rethink the agencies and politics of performing bodies and the networks they emerge from. 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