{"id":148,"date":"2017-09-04T19:33:14","date_gmt":"2017-09-04T16:33:14","guid":{"rendered":"http:\/\/46.32.240.37\/outicondit.com\/?post_type=jetpack-portfolio&p=148"},"modified":"2022-04-29T11:22:27","modified_gmt":"2022-04-29T08:22:27","slug":"remote-control-human","status":"publish","type":"jetpack-portfolio","link":"http:\/\/www.outicondit.com\/?portfolio=remote-control-human","title":{"rendered":"REMOTE CONTROL HUMAN"},"content":{"rendered":"
\"\"Image (c) Vincent Roumagnac<\/h6>\n

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A series of performances on the porous borders of self\/other, techno\/flesh, and fabulous reality. Human bodies are screens and stages for the performative relationship between technology and experience. Immersed in thespian fantasies of innocence and total control, RCH<\/i> incites and investigates the uncanny experience of being more-than-one, less-than-many through a technomediated apparatus of power.<\/p>\n

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The RCH<\/em> project (2017-2019) consists of three series of performances and artistic collaborations exploring the strategy of remote control. The first series of RCH<\/em> lecture performances destabilise the conventions of conference presentation. The second series of RCH<\/em> inhabit the contexts of theatre, fine arts and contemporary concert recital. The third series of RCH<\/em> twists the concept of one-on-one performance. This proliferation of outcomes queers the form of repetition present in theatre: RCH <\/i>repeats its performative apparatus across mediums creating viral, self-replicating, mutating strings of performance.<\/span><\/p>\n

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Remembering Cyborg Manifesto: \u201cI\u2019d rather be a cyborg than a goddess.\u201d (Haraway,1991)<\/p>\n

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Past events with Remote Control Human:<\/p>\n

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